From listening to the album, musically it seems to come from a similar vein of your previous albums Sleeper and Manipulator due to it having a primarily acoustic foundation. Moving things, hanging insulation and stuff like that but yeah, there were a lot of people working on it.

I helped a little bit with some soundproofing, insulation and other stuff that I could do because honestly I don’t know what I’m doing. We built the building from scratch so there was legit construction going on. Did you build the studio at your house yourself or did you have people help you out with it? I don’t think there’s anything particularly weird, different or unique in that sense for making the record, it’s one of my main modes. I’ve done a handful of records like this, maybe even half of them, so it’s a very familiar style for me. What was the experience like making this record completely on your own in a DIY fashion? I know you’ve done stuff like this before with the drums and other instruments. You recorded Hello, Hi in your home studio, so was this done during the COVID-19 pandemic back in 2020 or was it more recent? We spoke ahead of both the show and the release about doing the recordings at his home studio, his current backing band, transitioning recorded songs into a live setting, and what he hopes fans take away from Hello, Hi. Segall is going to release his 14th solo album, Hello, Hi via Drag City records on July 22 and a few weeks before that he’s going to hit up Royale in Boston on June 27. What makes Segall great is his consistency any sort of music he’s involved in rocks, whether he is strumming an acoustic guitar or bringing the amplification with a full band.

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